12,091 Royalty-Free Audio Tracks for "Piano Drum Loop"

Robert Schumann: Kinderszenen, Op. 15, No. 5 "Glückes genug" Robert Schumann: Scenes from Childhood, Op. 15, No. 5 "Happiness"

Robert Schumann: Kinderszenen, Op. 15, No. 3 "Hasche-Mann" Robert Schumann: Scenes from Childhood, Op. 15, No. 3 "Blind Man's Bluff"

Robert Schumann: Kinderszenen, Op. 15, No. 2 "Kuriose Geschichte" Robert Schumann: Scenes from Childhood, Op. 15, No. 2 "A Curious Story"

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

Piano Concerto No. 3 in C minor, 3rd movement: Rondo – Allegro DuPage Symphony Orchestra (orchestra) Barbara Schubert (conductor) Andreas Klein, piano Performed 17 October 2009. From https://archive.org/details/dso20091017

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Chopin: I Koncert fortepianowy e-moll op. 11, nr 1. Allegro maestosoChopin - Piano Concerto no. 1, Op. 11 (string quartet)-1. Allegro maestoso

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

9/8 drum pattern.

3/4 drum pattern.

Four on the floor on the high hat.

Sound sample of a djembe at medium pitch, illustrating the three basic sounds (bass, tone, slap). The sample starts with a binary call, plays three cycles of the accompaniment pattern, and ends with a call. The accompaniment is "passport with a bass": s..ss.tts.bss.tt"

Liszt- sonata In B Minor

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

Mozart's Excerpt K331. Created by Hyacinth (talk) 23:06, 5 November 2011 (UTC) using Sibelius 5. See: File:MozartExcerptK331.png

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Schumann; Piano Sonata No. 1 In F Sharp Minor Op.11- 1.Introduzione

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Persian/Iranian childrens' song “golden chicken” from the early 20th century. Persisches/Iranisches Kinderlied „Goldener Küken” aus dem frühen 20. Jahrhundert. Chanson persane/iranienne pour enfants "Poussin doré" du début du 20e siècle.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Beethoven: Piano Concerto No. 4, slow movement

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

Sonata No. 8 in C Minor Pathetique, Op. 13 - I. Grave - allegro di molto e con brio

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Recording of music written by Frederic Chopin

Sonate en si mineur de Liszt

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Ascending and descending scale played in E flat major

Elias Goldstein Viola, Christina Lalog Piano. Paganini-Primrose

Piano Concerto, K. 491, closing bars of the slow movement

Wedding Day at Troldhaugen, played by Edvard Grieg; recorded 1903. Original tape.

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Rap beat loop in which i used piano samples. Created in lmms.

A 29 second long 130-bpm musical loop with some drums, bass, piano, and synth noises. Created in fl studio.

Ogg file of Awadagin Pratt playing Alexander Scriabin's Étude Op. 8 No. 12

Simple Gifts from the U.S. Army Fife and Drum Corps' album "Celebrating 50 Years"

An example of a blast beats played in tempos of 120, 160, 200 and 240 BPM. Made with Cubase and Drumkit From Hell. Przykład blast beatów granych odpowiednio w tempach 124, 160, 200 i 240 BPM. Wykonano przy pomocy programu Cubase i syntezatora perkusyjnego Drumkit From Hell. Exemples de blast beats joués aux tempos de 120, 160, 200 et 240 BPM. Crées avec Cubase et Drumkit From Hell.

The U.S. Army Old Guard Fife & Drum Corps performs "Bulge Quickstep" from their self-titled 1975 album.

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)

Piano Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier: III. adagio sostenuto